Search results for "Historia del arte. Artes plásticas"
showing 10 items of 32 documents
Monstrous Hybrids in Shakespeare’s King Lear
2017
ABSTRACT: This article seeks to present the different languages (emblems, Renaissance translations of classical myths, biblical exegesis) that inform the images of monsters which, as hybrid creatures blending human and animal characteristics, serve a dramatic function in Shakespeare’s King Lear . It means to question the ways in which the play links filial ingratitude with female monstrosity and Lear’s madness. Tracing the classical and medieval lineage of the monstrous bestiary (serpent, tiger, vulture) in King Lear and connecting it to emblematic readings of Shakespeare’s time, it explores how Shakespeare provides a dynamic characterisation of Goneril and Regan through their bestialisatio…
Ludus sphaerae per annulum ferreum: tradición alegórico-emblemática del beugelen
2016
ABSTRACT: Beugelen was a game, described early on by Erasmus, which gained wide popularity in the Netherlands, played both in palaces and villages, as evidenced by numerous engravings of the 16th and 17th Centuries. Therefore, it is not surprising to find its allegorical-symbolic exploitation, associated with concepts such as mental laziness (Heinrich Aldegrever), the fatal consequences of the game (Johannes David) and the effects of human and divine love (Peter Rollos, Typus mundi , Ludovicus van Leuven and Willem den Elger). In the light of previous emblematic repertories, I delve into the meaning of a number of paintings, paying special attencion to works of Lucas Gassel ( David and Bath…
Imagen y palabra en la devoción al Sagrado Corazón de Jesús: un cuadro de P. Battoni y un poema de F. Arévalo
2016
ABSRACT: In this study I relate the building of the Basilica of Estrela (Lisbon) to the painting by Pompeo Battoni and the poem by Faustino Arevalo, both dedicated to the Sacred Heart of Jesus, whose worship, suffering a similar fate to that of the suppressed Society of Jesus (1773), went beyond the ecclesiastical sphere and became a source of controversy in the secular milieu of the period. KEYWORDS: P. Battoni, F. Arevalo, Sacred Heart of Jesus, Jesuits. RESUMEN: En este trabajo se relacionan la construccion de la basilica de la Estrela (Lisboa) y, especialmente, el cuadro de Pompeo Battoni y el poema de Faustino Arevalo, dedicados estos ultimos al Sagrado Corazon de Jesus, cuyo culto, co…
El programa pictórico del Palau Palmerola en Barcelona. Interpretación de escenas mediante el archivo patrimonial familiar
2016
ABSTRACT: The first Marquis of Palmerola, Francesc Xavier Despujol, remodelled his family residence in 1784, which included a large hall decorated with a pictorial program painted by Pere Pau Montana. These historical paintings depicted episodes of war and peace, related to the family history of the owners, in order to show the importance and roots of their lineage, highlighting their illustrious role in their country’s history and commerce. This constitutes an outright justification of their power, an ostentatious display of their social status and their loyalty to the crown, following the trend amongst the nobility for building these cases grans during the last third of the eighteenth cen…
Emblemática santa en sepulcros barrocos
2016
ABSTRACT: «Sacred Emblematics on Baroque Sepulchres» is a study of urns and reliquaries for Catalan saints. The symbolic language is applied to the funeral container of sacred content, in the specific cases of St. Olegario, St. Armengol, St. Bernard Calbo and St. Mary of Cervello. With them we can refer to three different ways of presenting the sacred iconography in relation to local saints with incorrupt bodies: by means of emblematic literature, hagiography or decorative or heraldic motifs. KEYWORDS: Sepulchre, Reliquary, Incorrupt Saints, Catalonia, Baroque, Iconography. RESUMEN: «Emblematica santa en sepulcros barrocos» es un estudio sobre urnas y relicarios de santos catalanes. El leng…
Arte y ciencia en el barroco español. Historia natural, coleccionismo y cultura visual, Madrid, Marcial Pons, 2014
2016
Resena del libro: JOSE RAMON MARCAIDA LOPEZ, Arte y ciencia en el barroco espanol. Historia natural, coleccionismo y cultura visual , Madrid, Marcial Pons, 2014.
La forma i la lletra en Ramon Llull. Una breu introducció als elements visuals en l’obra lul·liana
2017
RESUM: No ha estat fins fa poc temps que s’ha posat el focus d’atenció en la gran riquesa de l’obra lul·liana pel que fa al llenguatge visual, un element que va tenir un ampli desenvolupament al llarg del lul·lisme del Renaixement i del Barroc, però també en l’art contemporani. D’entrada, en les figures lul·lianes es troben elements que requereixen una reflexió: l’ús de formes i de lletres, i, en definitiva, la construcció d’una diagramàtica sobre la qual encara avui cal aplicar una catalogació i una interpretació més enllà de desentrellar-ne l’aplicabilitat o funcionalitat en relació amb cada text, aspectes que l’investigador A. Bonner ha estudiat a bastament, junt amb A. Soler.
Fuego de artificio
2016
Artículo Editorial.Gracias a los esfuerzos del equipo de IMAGO, la revista ha llegado a ser indexada últimamente por Erihplus y Latindex, mientras que Thomson Reuters nos ha comunicado que están valorando la posible indexación tras haber incluido IMAGO entre las revistas emergentes.
Lyra Mixta
2016
Recensión del libro:INFANTES, Víctor [2015]. Lyra mixta. Silva ejemplar de artificios gráfico-literarios, Madrid, Turpin Editores, 2015.
Omnia mortis. Presagios de muerte. Cuando los dioses abandonan al emperador romano. Madrid, Abada Editores
2016
Recension del libro: REQUENA JIMENEZ, Miguel [2014]. Omnia mortis. Presagios de muerte. Cuando los dioses abandonan al emperador romano. Madrid, Abada Editores, 2014, 326 pp.